Recent Reviews
Trap (2024)
Josh Harnett is the only reason to see Trap, for a closing shot that evokes Norman Bates in that Hitchcock classic
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The Woman in the Window (2021)
Let this be a lesson to filmmakers trying to emulate a masterwork like ‘Rear Window’: Less is more
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Everything Everywhere All at Once (2022)
Buckle up. Michele Yeoh is perfectly cast as the reluctant hero at the chaotic center of countless parallel lives