The Vanished (2018)
This nifty crime thriller starts with a creepy mystery and ends with an even creepier twist
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The Woman in the Window (2021)
Let this be a lesson to filmmakers trying to emulate a masterwork like ‘Rear Window’: Less is more
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Transfusion (2023)
Sam Worthington is mired in a plodding plot that wants to be actioner and think piece and winds up being neither
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Trap (2024)
Josh Harnett is the only reason to see Trap, for a closing shot that evokes Norman Bates in that Hitchcock classic
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Twister (1996)
From its soundtrack to its over-the-top tornado encounters, Twister promises you a good time … and delivers
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Twisters (2024)
Twisters revolves around personalities, making it more substantial, but less exciting, than Twister
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Victoria and Abdul (2017)
Judi Dench is the only beacon of light in this dark and joyless tale
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Wake Up Dead Man: A Knives Out Mystery (2025)
The well-worn mystery format gets an adequately thrilling spin thanks to Glenn Close and Josh O’Connor
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Wolfs (2024)
Lone wolves George Clooney and Brad Pitt in a comedic romp smart enough not to become a mushy buddy movie