Behind The Curtain

Concise Reviews for Movie Addicts Who Don't Have Time to Waste

Movies in English

Recent Reviews

Still of Helen Hunt and Bill Paxton in ‘Twister’ (1996)

Twister (1996)

From its soundtrack to its over-the-top tornado encounters, Twister promises you a good time … and delivers

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Still of John Ashton, Eddie Murphy, and Judge Reinhold in ‘Beverly Hills Cop: Axel F’ (2023)

Beverly Hills Cop: Axel F (2024)

Eddie Murphy does his ad-libbing best to animate ‘Axel F,’ but only the soundtrack reminds us of past magic

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Still of Morena Baccarin and Pierce Brosnan in ‘Fast Charlie’ (2023)

Fast Charlie (2023)

Pierce Brosnan in a tense revenge tale with Elmore Leonard-esque dialog, plus a touching nod to James Caan

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Still of Anne Hathaway and Mark Ruffalo in ‘Dark Waters’ (2023)

Dark Waters (2019)

Mark Ruffalo shines as ‘the lawyer who became DuPont’s worst nightmare’

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Still of Adria Arjona and Glen Powell in ‘Hit Man’ (2023)

Hit Man (2023)

Glen Powell is effortlessly funny as the unassuming prof who reinvents himself

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Still of Joaquin Phoenix and Vanessa Kirby in ‘Napolean’ (2023)

Napoleon (2023)

Joaquin Phoenix and Vanessa Kirby are adrift in a meandering narrative that leaves us as uninformed as we began

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Still of Daniel Diemer and Skeet Ulrich in ‘Supercell’ (2023)

Supercell (2023)

A surprising glimpse into the psychology, and obsession, of storm chasers

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Still of Yoo Tae-oh, Greta Lee, and John Magaro in ‘Past Lives’

Past Lives (2023)

Celine Song's absorbing rumination on ‘what might have been’ versus ‘what is’ versus ‘what will be’

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Meg 2: The Trench (2023)

It’s not as bad as you’d think. So while it’s a waste of time, it’s your time to waste

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Still of Annette Bening and Jodie Foster in ‘Nyad’ (2023)

Nyad (2023)

Annette Bening and Jodie Foster demonstrate it’s not about the destination but the journey

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Still of Russell Crowe and Liam Hemsworth in ‘Pokerface’ (2022)

Poker Face (2022)

A mess of a movie that's almost worth watching to appreciate how bad it really is

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Photo of George MacKay and Dean-Charles Chapman in ‘1917’ (2019)

1917 (2019)

Meticulous detail and (faux) one-shot cinematography makes ‘1917’ an immersive spectacle worth experiencing

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