Behind The Curtain

Concise Reviews for Movie Addicts Who Don't Have Time to Waste

Genre: Drama

Recent Reviews

Still of Adam Driver in ‘Megalopolis’ (2024)

Megalopolis (2024)

Even if this isn't your type of movie, see it anyway. You want to be able to say: I was there when it happened

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Still of Daisy Ridley in ‘Young Woman and the Sea’ (2024)

Young Woman and the Sea (2024)

Daisy Ridley is inspiring and buoyant in this biopic of the first woman to swim the English Channel

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Still of Daisy Edgar-Jones and Glen Powell in ‘Twisters’ (2024)

Twisters (2024)

Twisters revolves around personalities, making it more substantial, but less exciting, than Twister

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Still of Helen Hunt and Bill Paxton in ‘Twister’ (1996)

Twister (1996)

From its soundtrack to its over-the-top tornado encounters, Twister promises you a good time … and delivers

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Still of Hyun Bin and Yoo Ji-tae in ‘The Swindlers’ (2017)

The Swindlers (2017)

Who’s scamming whom? You’ll have to pay careful attention to discover who is the real swindler

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Still of Anne Hathaway and Mark Ruffalo in ‘Dark Waters’ (2023)

Dark Waters (2019)

Mark Ruffalo shines as ‘the lawyer who became DuPont’s worst nightmare’

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Still of Joaquin Phoenix and Vanessa Kirby in ‘Napolean’ (2023)

Napoleon (2023)

Joaquin Phoenix and Vanessa Kirby are adrift in a meandering narrative that leaves us as uninformed as we began

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Still of Daniel Diemer and Skeet Ulrich in ‘Supercell’ (2023)

Supercell (2023)

A surprising glimpse into the psychology, and obsession, of storm chasers

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Still of Youn Yuh-jung, Kim Kang-woo, and Kim Hyo-jin in ‘The Taste of Money (2012)’

The Taste of Money (2012)

Will Kim Kang-woo come to embrace his master's contempt for money? Or will he cash in?

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Still of Annette Bening and Jodie Foster in ‘Nyad’ (2023)

Nyad (2023)

Annette Bening and Jodie Foster demonstrate it’s not about the destination but the journey

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Still of Russell Crowe and Liam Hemsworth in ‘Pokerface’ (2022)

Poker Face (2022)

A mess of a movie that's almost worth watching to appreciate how bad it really is

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Photo of George MacKay and Dean-Charles Chapman in ‘1917’ (2019)

1917 (2019)

Meticulous detail and (faux) one-shot cinematography makes ‘1917’ an immersive spectacle worth experiencing

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