Behind The Curtain

Concise Reviews for Movie Addicts Who Don't Have Time to Waste

Recent Reviews

Still of John Ashton, Eddie Murphy, and Judge Reinhold in ‘Beverly Hills Cop: Axel F’ (2023)

Beverly Hills Cop: Axel F (2024)

Eddie Murphy does his ad-libbing best to animate ‘Axel F,’ but only the soundtrack reminds us of past magic

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Still of Morena Baccarin and Pierce Brosnan in ‘Fast Charlie’ (2023)

Fast Charlie (2023)

Pierce Brosnan in a tense revenge tale with Elmore Leonard-esque dialog, plus a touching nod to James Caan

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Still of Hyun Bin and Yoo Ji-tae in ‘The Swindlers’ (2017)

The Swindlers (2017)

Who’s scamming whom? You’ll have to pay careful attention to discover who is the real swindler

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Still of Anne Hathaway and Mark Ruffalo in ‘Dark Waters’ (2023)

Dark Waters (2019)

Mark Ruffalo shines as ‘the lawyer who became DuPont’s worst nightmare’

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Still of Adria Arjona and Glen Powell in ‘Hit Man’ (2023)

Hit Man (2023)

Glen Powell is effortlessly funny as the unassuming prof who reinvents himself

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Still of Joaquin Phoenix and Vanessa Kirby in ‘Napolean’ (2023)

Napoleon (2023)

Joaquin Phoenix and Vanessa Kirby are adrift in a meandering narrative that leaves us as uninformed as we began

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Still of Daniel Diemer and Skeet Ulrich in ‘Supercell’ (2023)

Supercell (2023)

A surprising glimpse into the psychology, and obsession, of storm chasers

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Still of Youn Yuh-jung, Kim Kang-woo, and Kim Hyo-jin in ‘The Taste of Money (2012)’

The Taste of Money (2012)

Will Kim Kang-woo come to embrace his master's contempt for money? Or will he cash in?

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Still of Yoo Tae-oh, Greta Lee, and John Magaro in ‘Past Lives’

Past Lives (2023)

Celine Song's absorbing rumination on ‘what might have been’ versus ‘what is’ versus ‘what will be’

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Still of Annette Bening and Jodie Foster in ‘Nyad’ (2023)

Nyad (2023)

Annette Bening and Jodie Foster demonstrate it’s not about the destination but the journey

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Still of Russell Crowe and Liam Hemsworth in ‘Pokerface’ (2022)

Poker Face (2022)

A mess of a movie that's almost worth watching to appreciate how bad it really is

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Photo of George MacKay and Dean-Charles Chapman in ‘1917’ (2019)

1917 (2019)

Meticulous detail and (faux) one-shot cinematography makes ‘1917’ an immersive spectacle worth experiencing

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Recent Quick Takes

The Mother (2023)

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Jennifer Lopez brings the intensity, but the plot is outrageously overblown at every turn

Canary Black (2024)

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Kate Beckinsale gives it her all, but she can’t save this predictable spy thriller whose twist you spot right away

Family Pack (2024)

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A silly and mildly entertaining tale of a family transported to the middle ages to fight werewolves

Night of the Assassin (2023)

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An ailing assassin with a price on his head slices through innumerable badguys and a predictable plot

Knights of the Zodiac (2023)

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So sad to see Sean Bean wasted in this adolescently scripted mashup of martial arts and mythology

Land of Bad (2024)

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Yet another "things go sideways" rescue mission. Rousing gun fights. Lots of explosions. Capture and torture

Ruthless (2023)

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Dermot Mulroney goes bare knuckles against sex traffickers, but can't punch his way out of this mediocre script

A Special Lady (2017)

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A twisty plot, Godfather-reminiscent set pieces, and a gutsy heroine can't make up for the exploitive brutality

Night in Paradise (2020)

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Gangster gets sold out, with bloody results. But Jeon Yeo-been shines as a terminal case with a deadly aim

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